#Alan parsons video free#

Most lovers of good solid music will have at least one of his first four albums in their collection, while Parsons in some fifteen years, and far longer in my mind since Project was Posted Wednesday, Ap| Review this album | Report (Review #2346615) You have liked Alan Parsons also without notable prog elements, you'll find this album fairly pleasant. Despite some forgettable songs, I must admit that my overall impression is on the positive side. All in all, The Secret pretty well fulfils the expectations of the listener who enjoys well produced and arty soft pop But wait, also Jared Mahone on the final tender song 'I Can't Get There from Here' sounds a bit 'Years of Glory' is a tender ballad with romantic string arrangement and good vocals of P.J. 'Requiem' has a bluesy/jazzy atmosphere and Todd Cooper is very good on vocals. Which Mark Mikel has a Lennon-like voice. Melancholic song with beautifully harmonised vocals by Cooper and Parsons, is even better. Soft rock ballad sung by slightly rasp-voiced Lou Gramm (FOREIGNER). At least this piece steps aside from the dull safety zone! 'Sometimes' is an orchestrated 'One Note Symphony' features the album's main vocalist Todd Cooper (who's well in line with the voices that the Project used to 'As Lights Fall' is sung by Parsons himself the steady bass pulse takes my mindД«ack to the Eye in the Sky era, but nor is this middle-of-the-road song very interesting for repeated listenings. The Mechanics stuff, with vocals by Jason Mraz. 'Miracle' is a decent, chorus-repeating pop song comparable to the mediocre Mike + It certainly has its merits, but it's too pompous to be compared to theДЄtmospheric openers on the APP albums. Orchestral poem known from the Disney film Fantasia. The instrumental opener 'The Sorcerer's Apprentice' is an orchestrated and pretty cleverly rocked-up version of Paul Dukas'

#Alan parsons video free#

Impress me, free of any false prog-expectations. So, let's see how this pop album manages to Would be much progressive like the early albums of The Alan Parsons Project are. Legendary producer is s back with a recent album that I've heard is some sort of return to form - albeit not in a sense that it Ok if rather forgettable), but electronica-oriented Valid Path sounded totally wrong and worthless and uninspired. Surely I wasn't expecting much of it anyway (I was familiar with the first Project-less album Try Anything Once, which was fairly The previous Alan Parsons album, Valid Path (2004), sounded to me so bad that I only gave it one quick listening years ago. Posted Wednesday, Septem| Review this album | Report (Review #2446099) Don't misunderstand me, I'm a true fan of Mahavishnu and King Crimson, for example, and enjoy their intricacy as well, but this is a different occasion, and it's very likable in its own terms.ДЄs a treat to the audience, a rarity is included: 'Fragile', taken from a 2013 single credited to Alan Parsons. There's no demanding metric shifts here, but instead a true sense of musical purpose conveyed by the players with skill and no need to show-off their undeniable abilities. Since 'I Robot' introduces the proceedings, the symphonic environment takes place, and is awesome. Parsons' music still shines here, no matter what. Olsson, even not being bad, falls a bit short on several occasions (to my taste, at least, having attended myself another concert of this APB).Д«ut there's a brighter side to this affair, and it can't be more obvious: Mr. OK, downside first: this register pales in comparision to Live in Colombia, where the instrumental host were augmented nothing less than by the Philharmonic Orchestra of Medellin. This double live set features performances taken from two concerts of the Alan Parsons Band at the Stuttgarter Beethoven-Halle (Germany), providing the listener with a career-spanning overview of the Alan Parsons Project recorded output, which includes as its highlight the entire suite occupying the second half of The Turn Of A Friendly Card (5th beloved album of the Project).